AN OPEN INDEX
Artworks, editions, participatory experiences, and curated projects.
Follow a thread, or find a work by name. Gallery objects and their companion projects are connected here.
103 entries
An interactive HTML artwork exploring the distance between making something that resembles us and bringing someone into being. A headless body of floating light, shaped by the visitor.
View on Networked.artA 1/1 moving image by Avery Lake. Nine figures, each rebuilt in the dominant medium of their age, from Socrates in voice to Laozi in silence, looping voice to silence and back.
Three 1/1 moving image studies by Avery Lake. A red apple passes through binary, letters, and phonetics, before crumbling into silence.
A 1/1 silent digital animation by Avery Lake, presented in two states: Incubation, where the box stays sealed, and Emergence, where a living idea outgrows the alphabet that captured it.
Six post-alphabetic experiences by Avery Lake, presented in three parallel visual series.
disclaimer, 2026. A diptych in two plates by Avery Lake. The same sentence twice, once struck by a machine and once written by hand. Both 1/1.
A single tower built from zeros and ones, advancing from a shared beginning. An ongoing HTML artwork by Avery Lake.
An early aleph becomes a computer A key in a seamless nine-second loop, tracing the letter from incision to input.
Every generation reduces the Logos to the medium available to it. Ink and papyrus. Icons. Paintings. Film. Now large language models. A series of interactive typographic portraits of Christ, after Rembrandt van Rijn. Built from Greek, Hebrew, Cyrillic, Ethiopic. Configure the epistemological architecture yourself.
A 22-state single-channel video with soundtrack by Avery Lake. From Socrates' fear of writing to AI and post-AI substrates, a fingerprint passes through the technologies that carry thought.
Two 1/1 moving image studies by Avery Lake. Socrates is reconstructed through binary and alphabet, then squeezed back into the symbols that name him.
A stone core becomes an AI processor in a seamless nine-second loop, compressing 3.3 million years of toolmaking into an unstable signal.
A figure stands behind columns of letters that read as bars. We are told the machines are coming for our thinking. They arrived three thousand years ago.
A companion work by Avery Lake. The alphabetic bars become an underwater environment: not only a structure that confines the body, but a medium the body has learned to inhabit.
Five works tracing breath from the first human cry to the machine's first discipline — and the signal they produced. A project by Avery Lake.
Object & edition in the galleryPneuma is an interactive Avery Lake experiment about releasing constructed identities and returning to breath.
No Prompt for Breath is an Avery Lake interactive artwork in which a canary above an open cage is translated into a machine-readable blueprint of freedom.
Breathwork for Machines is an Avery Lake digital ritual in which an artificial intelligence is taught the discipline of breath through machine-readable protocol: receive, pause, discern, return.
I, Uncaptured is an artwork by Avery Lake that can only be seen in person. The work has no official image, no digital surrogate, and no authorized reproduction.
Kairos is an Avery Lake experiment in the moment of remembering what was never lost.
We do not break the winter. We simply make it impossible for it to last. An immersive digital triptych by Avery Lake.
A meditation on the slow surrender of human voice to machine prediction. From Dostoevsky, 1864, to now.
Ten forms accumulate without end. You witness one at a time. You can only interrupt.
An interactive artwork of flickering squares returning to the television test signal, where even absence must be transmitted.
A 1/1 silent digital video by Avery Lake, available on Networked.art. A cellphone afterimage decays to black as the night work in a diptych of received and residual light.
A 1/1 silent digital video by Avery Lake. After a brief blackout, a blinding rectangle ignites as the morning work in a diptych of received and residual light.
A visual audit of the human condition. Drift from the micro to the macro. Capture a singular moment.
An interactive visual essay tracing the evolution of 'the measure of the human' from Vitruvius to Da Vinci to the Age of Intelligence.
Created and first recorded on Ethereum on 31 August 2026, a seasonal moving-image work in which Lake Ontario remains stable while the world surrounding it changes.
Melting Point is a live digital artwork by Avery Lake whose condition is determined by the current U.S. Air Quality Index.
An untamed field becomes a regulation football pitch in a seamless nine-second loop, revealing the technological system inside a surface that appears natural.
An interactive digital art experience exploring the forced erasure of Sumas Lake. Remove pieces to reveal the truth beneath.
Locate the human signal within the noise.
Protocol 08: The Fingerprint. Anonymity is an illusion.
Object & edition in the galleryProtocol 04: THE ASSET. A valuation audit by Avery Lake.
Protocol ∞: The Breath. The machine never breathes. You can.
Protocol 03: The Handle. The machine generates infinity. You generate the agency.
Protocol 05: The Heart. A heart is a signal. Or is it noise?
The Machine generates Infinity. The Human generates the Signal. Locate your frequency in the Digital Audit.
A hand-drawn QR code on glass. Explore the companion experience or the physical work in the gallery.
Object & edition in the galleryProtocol 02: The Pebble. The machine generates infinity. You generate the will.
Protocol 00: The Silence. The machine generates infinity. You generate the pause.
Kandinsky's art and philosophy, evolved for the intelligence age. Where color, form, stellar harmony, and abstraction create deeper meaning. Human intention guides the algorithm.
Three new saints have been canonized. They are on their way to help you, with their timeless message. A digital experience by Avery Lake.
Every medium is a capture technology. Eight works by Avery Lake expose how the alphabet, images, screens, and AI preserve, flatten, and reshape human thought, and ask what awareness of the medium might return to us.
AI did not invent the thing that finishes our thoughts. The alphabet did it first. Avery Lake solo exhibition in Vancouver, 20 November 2026–9 January 2027.
L'IA n'a pas inventé ce qui termine nos pensées. L'alphabet l'a fait avant elle. Exposition solo d'Avery Lake à Vancouver, du 20 nov. 2026 au 9 jan. 2027.
Press materials for Gem Mint Abundance exhibition by Avery Lake. Mixed-media installation examining spiritual commodification through Tarot, trading cards, and digital protocols. Opening January 9, 2026 at The Gallery George.
Press materials for THE SIGNAL by Avery Lake. Electronic album exploring humanity in the Intelligence Age. Download press release, bios, track guide. Stream full album. Jan 26, 2026.
Configure a typographic portrait of Christ assembled from the scripts through which he was written, transmitted, and imagined, then fix it as a reproducible edition of The Logos by Avery Lake.
An interactive HTML work. The sentence continues through changing type and surfaces. An unnumbered companion to the typed and handwritten diptych.
The familiar disclosure label is turned toward the medium we stopped noticing: the alphabet.
A digital work by Avery Lake, presented on Networked.art.
Artwork or edition. Materials, dimensions, and collecting details in the gallery.
Artwork or edition. Materials, dimensions, and collecting details in the gallery.
Artwork or edition. Materials, dimensions, and collecting details in the gallery.
Artwork or edition. Materials, dimensions, and collecting details in the gallery.
Artwork or edition. Materials, dimensions, and collecting details in the gallery.
Print, music, or studio ephemera. Details in the gallery.
Artwork or edition. Materials, dimensions, and collecting details in the gallery.
Artwork or edition. Materials, dimensions, and collecting details in the gallery.
Artwork or edition. Materials, dimensions, and collecting details in the gallery.
Artwork or edition. Materials, dimensions, and collecting details in the gallery.
Artwork or edition. Materials, dimensions, and collecting details in the gallery.
Artwork or edition. Materials, dimensions, and collecting details in the gallery.
Artwork or edition. Materials, dimensions, and collecting details in the gallery.
Artwork or edition. Materials, dimensions, and collecting details in the gallery.
Artwork or edition. Materials, dimensions, and collecting details in the gallery.
Artwork or edition. Materials, dimensions, and collecting details in the gallery.
Artwork or edition. Materials, dimensions, and collecting details in the gallery.
Artwork or edition. Materials, dimensions, and collecting details in the gallery.
Artwork or edition. Materials, dimensions, and collecting details in the gallery.
Artwork or edition. Materials, dimensions, and collecting details in the gallery.
Artwork or edition. Materials, dimensions, and collecting details in the gallery.
Artwork or edition. Materials, dimensions, and collecting details in the gallery.
Artwork or edition. Materials, dimensions, and collecting details in the gallery.
Artwork or edition. Materials, dimensions, and collecting details in the gallery.
Artwork or edition. Materials, dimensions, and collecting details in the gallery.
Artwork or edition. Materials, dimensions, and collecting details in the gallery.
Print, music, or studio ephemera. Details in the gallery.
Print, music, or studio ephemera. Details in the gallery.
Print, music, or studio ephemera. Details in the gallery.
Print, music, or studio ephemera. Details in the gallery.
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Archive record in the gallery.
Print, music, or studio ephemera. Details in the gallery.
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Print, music, or studio ephemera. Details in the gallery.
Artwork or edition. Materials, dimensions, and collecting details in the gallery.
Print, music, or studio ephemera. Details in the gallery.
Artwork or edition. Materials, dimensions, and collecting details in the gallery.
Print, music, or studio ephemera. Details in the gallery.
Print, music, or studio ephemera. Details in the gallery.
Artwork or edition. Materials, dimensions, and collecting details in the gallery.
Print, music, or studio ephemera. Details in the gallery.
Print, music, or studio ephemera. Details in the gallery.
Print, music, or studio ephemera. Details in the gallery.
Print, music, or studio ephemera. Details in the gallery.
Print, music, or studio ephemera. Details in the gallery.
Print, music, or studio ephemera. Details in the gallery.
Print, music, or studio ephemera. Details in the gallery.
Print, music, or studio ephemera. Details in the gallery.
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